Twenty-five films from twenty-five European countries by twenty-five European directors.

A satirical series verifying myths connected with Polish capitalism and the cult of "making money". The director, showing from behind the scenes the world of the native financial elite, portrays its ridicule, snobbishness and complexes. The name "the tiger of Europe", which is described by international media as Poland from time to time, is largely due to clever tax fraudsters, smugglers and various "bums". Over the last ten years, they have made not only jealous giant fortunes, but also their own model of culture and customs. A model that mercilessly exposed their intellectual poverty and primitivism. It is from this model that Gruza laughs first of all, proving that if the "tigers of Europe" had been deprived of money, they would have been at most the wretched cats feeding on rubbish cans.

Maria Schell (Sophie) and Paul Scofield (Alexander) turn in magnificent performances as former patients of Freud who meet for the first time in Vienna in 1970. Sophie convinces a wary Alexander to meet after she sees him interviewed on TV about his experience with Freud. In their one-day encounter, in a reluctant Alexander's cluttered apartment, the two sit down to talk. 　　Sophie is now a divorced New Yorker of nearly 70, Alexander is a lonely widower; both still harbor resentment of Freud's treatment of their youthful "problems." Their personal narratives, shown in flashback, are poignant; Freud is an unseen but vivid presence in the therapy scences.

Maria Schell (Sophie) and Paul Scofield (Alexander) turn in magnificent performances as former patients of Freud who meet for the first time in Vienna in 1970. Sophie convinces a wary Alexander to meet after she sees him interviewed on TV about his experience with Freud. In their one-day encounter, in a reluctant Alexander's cluttered apartment, the two sit down to talk. 　　Sophie is now a divorced New Yorker of nearly 70, Alexander is a lonely widower; both still harbor resentment of Freud's treatment of their youthful "problems." Their personal narratives, shown in flashback, are poignant; Freud is an unseen but vivid presence in the therapy scences.

THE WONDERS OF EUROPE is a four-part docuseries that tells the story of the people who built some of the biggest and most unique landmarks in Europe monuments: the Louvre, the Palace of Versailles, the temples of the Acropolis, and the Alhambra complex. Intended for a young and international audience, it aims to promote European cultural heritage and architecture.With voice-over narration, each episode will feature spectacular shots of the monuments, interviews with historians and specialists, fictional recreations and innovative 3D modelling to illustrate the successive architectural changes.In order to ensure scientific and historical accuracy, the writer/director of each episode has been advised by historical experts.

Cannibalism has long been considered a dark chapter in man's history. Yet we think of it only as isolated occurrences. Now a Neolithic burial pit in Germany, found filled with expertly butchered human remains, challenges those assumptions. Archaeologists have never seen anything like it--the deeper they dig, the more bizarre the scene becomes. National Geographic joins an international team of experts as they reopen the earth to understand violent events as they played out seven thousand years ago.

A womanizing man-child binges on sex and alcohol, experiments with ayahuasca for addiction therapy and comes to terms with past mistakes.

7 women attempt to rebuild their lives while planning a high end fashion show ( with little to no experience) for a friend raising an autistic child.

A family on the run from a corrupt state takes refuge in a safe house with an evil past — a terrifying last stop on a near-future Underground Railroad.

Buenos Aires, during the summer heart, in gated communities surrounded by wastelands covered with trash. The barking of stray dogs, repeated power outages, and uncontrollable clouds of smoke drive the inhabitants to confront their most primitive instincts.